09:45 - 11:15
Conservation, transformation and valorization of ancient theatres

Architecture, image and sound through history and time: conservation, transformation and valorization of Roman theatres

Author(s): Emanuele Morezzi , Emanuele Romeo , Riccardo Rudiero

The Colosseum: an iconic space

Author(s): Barbara Nazzaro , Federica Rinaldi

The Verona Charter on the use of ancient places of performance. The acoustic issues in the Verona Arena project with the central stage

Author(s): Mario Cognini

11:45 - 12:45
Modern use of ancient performance spaces

The Teatro Colón in Buenos Aires. Preservation of acoustic quality during the latest restoration work

Author(s): Gustavo Basso

Preserving and managing the sonic heritage of performative spaces of the past.

Author(s): Angela Bellia

Acoustic modeling of the Veche Square in Veliky Novgorod, Russia

Author(s): Vasilyev Michael , Nikolay Kanev , Natalia Shirgina , Igor Shubin

Acoustics of Roman theatre in Salona

Author(s): Marjan Sikora , Jurica Đerek , Matija Pauković , Ante Jurčević

12:45 - 13:15
Discussion on acoustical parameters for ancient open-air theatres

Theatres in Italy from Roman age to Renaissance: the meaning of reverberation time measurements

Author(s): Alessandro Cocchi

14:15 - 17:30
Challenges in open-air theatres simulation and analysis

Time-frequency diffraction acoustic modeling of the Epidaurus theatre

Author(s): Konstantinos Kaleris , George Moiragias , Panagiotis Hatziantoniou , John Mourjopoulos

Theoretical investigation of diffraction phenomena in the ancient theatre of Epidaurus

Author(s): Penelope Menounou , Spyros Bougiesis

Revisiting archaeoacoustic methodology in the studies of acoustic vessels: application to Brittany and Serbia

Author(s): Jean-Christophe Valière , Bénédicte Bertholon , Zorana Đorđević , Dragan Novković

Adapting the EST method to ancient theatres: a proposal

Author(s): Jean-Dominique Polack , Aidan Meacham , Roland Badeau , Jean-Christophe Valière

Ancient Greek theatre – impulse response simulation

Author(s): Piotr Wojdyllo , Peter Balazs

Challenges in calibration of acoustical models for historic virtual reality auralizations

Author(s): Louena Shtrepi , Lorenzo Lavagna , Antonella Bevilacqua , Angelo Farina , Arianna Astolfi

Caveats and pitfalls in acoustic simulation of non-existing buildings

Author(s): Francesco Martellotta

Past challenges in the study of ancient open-air theater acoustics: cases from Anatolia

Author(s): Mehmet Çalişkan , Demet Irkli , Zühre Sü Gül

The Loggia Cornaro (1524) as a bridge between the ancient and the modern theatre

Author(s): Dario D'Orazio , Giulia Fratoni

From terrestrial laser scanning to room acoustic simulation: 3D modelling to investigate acoustics between late antiquity and the middle ages

Author(s): Gianluca Foschi

Comparison of noise measurements and models inside Siracusa Greek Theatre

Author(s): Andrea Cerniglia , Elisa Amato , Gelsomina Di Feo , Roberto Bettari , Enrica De Melio

17:45 - 18:45
Soundscape of historical sites

Design retrofitting on an ancient amphitheater by combined room acoustics and soundscape methodologies

Author(s): Petros Flampouris

The acoustics of the recently excavated Larissa Theater A

Author(s): Gavriil Kamaris , John Mourjopoulos , Dimitrios L. Karagkounis , Sofia D. Tsanaktsidou

Digital humanities in the historical soundscape research: sound of eighteenth century Naples

Author(s): Hasan Baran , Massimiliano Masullo , Luigi Maffei

Ancient theatres as part of the soundscape of contemporary urban fabrics: the A’ theatre of Larisa

Author(s): Kalliopi Chourmouziadou

The effect of lightscape on soundscape perception in historical sites

Author(s): Lorna Flores , Tin Oberman , Claudia Guattari , Francesco Asdrubali , Marco Frascarolo , Giuseppina Emma Puglisi , Arianna Astolfi , Francesco Aletta

Research of the historical soundscape of the ancient city of Side in the light of small findings and architectural elements

Author(s): Özlemv Gök

11:45 - 13:00
Perception of speech and music in performance spaces

The egocentric audio perspective in virtual environments

Author(s): Michele Geronazzo

Acoustic measurements of Ancient Greek Theatre masks

Author(s): Gavriil Kamaris , Fotis Kontomichos , John Mourjopoulos , Thanos Vovolis

Reinforcement of binaural cues by floor and ceiling reflections

Author(s): Bernhard U. Seeber

Does surface scattering improve speech perception compared to plain surfaces?

Author(s): Nicola Prodi , Matteo Pellegatti , Chiara Visentin

Architectural acoustics and parliamentary debate: exploring the acoustics of the UK House of Commons Chamber

Author(s): Aglaia Foteinou , Damian Murphy , John Cooper

14:00 - 15:30
Ritual spaces in ancient times: caves, temples, and early Christian churches

Acoustical measurements of Japanese Kagura ancient theatres

Author(s): Ryota Shimokura

Review of sixteen Pskov churches equipped with acoustic vessels

Author(s): Nikolay Kanev

Acoustics measurements, analysis and comparative study for caves used for Pan and Nymphs’ ancient rituals

Author(s): Gavriil Kamaris , Nektarios-Petros Yioutsos , John Mourjopoulos

FVTD simulation of the acoustics of the Phonocamptic Cave in Noyon

Author(s): Hugo Duval , Antoine Thomas , Aidan Meacham , Roland Badeau , Jean-Christophe Valière , Jean-Dominique Polack

The development of the early acoustics of the chancel in Notre-Dame de Paris: 1160-1230

Author(s): Sarabeth S. Mullins , Elliot K. Canfield-Dafilou , Brian F.G. Katz

Acoustic characterization of the Pilgrimage Rupestrian Church of St. Michael’s in Gravina in Puglia

Author(s): Francesco Martellotta , Michele D'Alba , Stefania Liuzzi , Chiara Rubino

Acoustic analysis of a well-preserved Renaissance music space: the Odeo Cornaro in Padua

Author(s): Giulia Fratoni , Dario D'Orazio , Michele Ducceschi , Massimo Garai

15:45 - 17:15
The acoustics of singing voice

Room acoustic effects on singers voice parameters

Author(s): Pasquale Bottalico , Natalia Łastowiecka , Silvia Murgia , Joshua Glasner , Yvonne Gonzales

The effects of maxillary dental arch and singing style

Author(s): Pasquale Bottalico , Mark T. Marunick , Charles J. Nudelman , Jossemia Webster , Maria Cristina Jackson-Menaldi

Vocal adaptation to simulated acoustic environments: the role of cognitive effort and auditory imagery skills

Author(s): Keiko Ishikawa , Elisabeth Coster , Silvia Murgia , Yvonne Redman , Pasquale Bottalico

Choir conductors: voice and acoustic environment

Author(s): Trinite Baiba

Assessing acoustic parameters in Early Music and Western Operatic singing

Author(s): Silvia Capobianco , Orietta Calcinoni , Pasquale Bottalico , Sonia Tedla , Ilaria Lombardi , Luca Bruschini , Stefano Berrettini , Andrea Nacci

Horizontal directivity patterns for the singing voice

Author(s): Brian B. Monson

The voice in ancient spaces

Author(s): Marco Francini

09:00 -10:00
SIPARIO - Spatial audio techniques for 3D measurements and recordings in ancient theatres

Deepening acoustic studies of the Roman theatre of Verona: effects of an acoustic shell

Author(s): Lamberto Tronchin , Antonella Bevilacqua , Yan Ruoran

Acoustics of the Teatro dell’Accademia delle Arti in Tirana (Albania) - spatial sound analysis

Author(s): Veronica Amodeo , Fabio Capanni , Riccardo Renzi , Yan Ruoran , Simone Secchi , Maria Cristina Tommasino , Lamberto Tronchin

Design of a multichannel audio system based on A2B architecture

Author(s): Daniel Pinardi , Lorenzo Chiesi , Antonella Bevilacqua , Nicholas Rocchi , Angelo Farina , Marco Binelli , Andrea Toscani , Lamberto Tronchin , Elia Bonomi

Application of a Wave Field Synthesis (WFS) Audio System based on A2B protocol: a case study

Author(s): Marco Binelli , Nicholas Rocchi , Antonella Bevilacqua , Angelo Farina , Daniel Pinardi , Andrea Toscani , Lorenzo Chiesi , Lamberto Tronchin , Elia Bonomi

3D Acoustics of the Roman Theatres in Pompei - a comparison

Author(s): Lamberto Tronchin , Yan Ruoran , Gino Iannace , Antonella Bevilacqua , Maria Cristina Tommasino

The acoustic of ancient amphitheater

Author(s): Antonella Bevilacqua , Gino Iannace , Ilaria Lombardi , Amelia Trematerra , Rosaria Parente , Umberto Berardi

10:00 - 11:00
AURA - Auralisation of acoustic heritage sites using augmented and virtual reality

AURA - Auralisation of acoustic heritage sites using Augmented and Virtual Reality. Project overview and methodological approach

Author(s): Raffaella Bellomini , Chiara Bartalucci , Lucia Busa , Paola Pulella

Analysis of auralisation techniques for 3D models of music theatres

Author(s): Sophie Schauer , Natalya Shakhovska , Jürgen Sieck

Aural Augmented and Virtual Reality applications: best practices and challenges

Author(s): Andrey Borisov , Anne Eiselein , Julien Letellier , Jürgen Sieck , Elisabeth Thielen

Digital survey and 3D modeling to support the auralization and virtualization processes of three European theater halls: Berlin Konzerthaus, Lviv Opera House and Teatro del Maggio Musicale in Florence. A methodological framework

Author(s): Stefano Bertocci , Andrea Lumini , Federico Cioli

12:00 - 13:15
THE PAST HAS EARS

PHE : The Past Has Ears project overview

Author(s): Brian F.G. Katz , Damian Murphy , Angelo Farina

Opening the lateral chapels and the acoustics of Notre-Dame de Paris: 1225–1330

Author(s): Elliot K. Canfield-Dafilou , Sarabeth S. Mullins , Brian F.G. Katz

Virtual reality inside the Greek-Roman theatre of Tyndaris: comparison between existing conditions and original architectural features

Author(s): Lorenzo Lavagna , Louena Shtrepi , Angelo Farina , Antonella Bevilacqua , Arianna Astolfi

Acoustic design optimization through the use of auralization: how does it sound like?

Author(s): Lorenzo Lavagna , Louena Shtrepi , Angelo Farina , Antonella Bevilacqua , Arianna Astolfi

Preliminary analysis of vocal ensemble performances in real-time historical auralizations of the Palais des Papes

Author(s): Julien De Muynke , Nolan Eley , Julien Ferrando , Brian F.G. Katz

Directivity of a small pipe organ buffet

Author(s): Gonzalo Villegas , Piergiovanni Domenighini , Brian F.G. Katz , Elliot K. Canfield-Dafilou

14:15 - 15:30
Workshop: New trends in sound system design for open-air venues

Design, installation and tuning issues for audio systems in large outdoor areas with artistic and archaeological constraints

Author(s): Guido Diamanti

Implementation and use of Electronic Beam Steering techniques to optimize the performance of the audio system

Author(s): Daniele Mochi